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Sendung vom 17.12.2015:

radia # 559: “I promise not to feed back in love again” und DIE ZWEITE HÄLFTE

a show by Radio Zero, PT and then RADIA # 555

FIRST

radia# 559 “I promise not to feed back in love again”
a cassette-feedback-loop-show by
Mestre André (cassete feedback) and
Paulo Raposo (cassetes, field-recordings and assorted sinewaves)

André G Pinto Aka Mestre André:
MA in Musical Arts at New University of Lisbon with a research visit to SFU Burnaby, supervised by Barry Truax. BA in Sound Arts and Design (First Class Honours) at University of Arts London.
Explored rupture aesthetics and theorised on the ‘social and political aesthetics of art and noise’ (“The Territory from Chaos to Noise”, Pinto, A., 2012). Now involved with ecological thinking of the arts practice and aesthetic relationships with the natural and non-natural environments. André has developed work as a Sound Artist, Field-Recordist, Performer, Installation Artist, Free Improviser, Composer and Sound Designer, doing live Sound Design for movies and theatre plays, sound installations and automated/interactive live concerts, amongst other things…
He is a member of the band Älforjs and the ensemble Tratado de Cardew, which has been performing Cardew’s score: Treatise.
Currently his work develops around deep listening as an ecological approach towards sound and music. As a composer he explores the ‘grief of incommunicability’ that exists in the attempt of exchange/comprehension/ communication between the human and humanised world/perception and what exceeds it, developing methods to somehow recreate or relate to the natural environment through the means of sound mapping and sound making.

AND THEN:
RADIA # 555: Fuck Art: it’s DeadPeoplesRecords
DeadPeoplesRecords is a montage sound artist. He spends many hours scouring the forgotten corners of of the human condition searching for abandoned, redundant and ignored audio. DeadPeoplesRecords enjoys the relationship that the human voice has with recorded and transmitting mediums while flippantly celebrating the absurdity of the ordinary.