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Sendung vom 27.06.2019 15:00:

Ma‘am, There Is No Such Thing In Reality

By Nina Dragičević (Radio Student)

Operetta for madams, violin and electronica by Nina Dragičević.


Nina Dragičević‘s composition “Ma‘am, there is no such thing in reality” opens up with a question. A question, or questioning, a doubt, this constitutive moment, this constitutive act of the enlightened subject, was in modern age marked with a genera-tion of new insights, with the search of new knowl-edge, with widening of intellectual cognition, with thinking. But the intonation of the introductory question – “No, I mean, do you understand me?” – uttered by one of the speakers from Nina‘s com-position, does not presuppose new knowledge, new cognition. Her question does not presuppose doubt; on the contrary, it presents the incantation of dogma, it presents non-thinking, it confirms the axiom, it strives to confirm the axiom, personal belief, in short, the ideologeme. The question does no longer express a questioning. It is no longer a search for new, but a persistent perpetuation and confirmation of stasis.


In this urban operetta, as Nina Dragičević marks her composition, many voices speak and “sing”. Here they are, here we are, contemporaries, sunk in mortgages, hungry, in constant deprivation, and here is theirs, ours, sonority.


That is how capitalism sounds like.


Extracts from the text accompanying the album written by Nataša Velikonja.


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0°1533 project

VISUAL & SOUND PROJECT ----------------------------------------------------------- 0°1533 is an experimental project based on the search of space and sound matter. The project was initiated early in 2009 by way of performance work carried out by Gabriel Tapia, Gustavo Riego and José Luis Macas, all students attending the Art In The Public Space (AEsP) workshop of the Brussels Royal Academy of Fine Arts. The project's main axis centres on the relationship between sound matter and visual plasticity, having recourse to scenic devices through the use of video and sound; plus the deployment, in premises where they are being diffused, of installations consisting of objects, instruments or machines producing sounds as well as visual and interactive props. The project uses improvisation as a (renewable) evolving construction. This introduces the notion of unlimited movement through progressive deployment, and engenders a constant "transmutation". There is no pre-defined model. A minimum of common sounds is devised, acting purely as inductive filters. The notion of repetition is abolished here through the renewal, or constant transformation, of sound and visual motions. To enhance this dynamism, the project can interact with other artistic disciplines through different interventions based on new parameters. In parallel with the above, 0°1533 takes a social and political stance while maintaining its commitment towards the notion of "useful" art.