radia # 557: “The Valley” by Baby Kruger und DIE ZWEITE HÄLFTE
radia #557 for Radio Campus Bruxelles und DIE ZWEITE HÄLFTE: radia #270 - radio orange - two languages
Show 557: “The Valley” by Baby Kruger – Radio Campus Bruxelles
Une expérience psychomagique
Dans cette navigation initiatique, la frontière entre le réel et l’imaginaire n’est pas définie. Est ce un rêve? Pas vraiment.
C’est une autre réalité qui jaillit d’une expérience concrète et ce, dans un but de transformation.
On commence par l’acte psychomagique, on s’adresse ainsi à l’inconscient.
Plus l’acte sera difficile à réaliser, plus il sera bénéfique.
Un point périlleux est atteint, on rencontre ses propres démons qui se révèlent être des alliés. La danse s’installe, les percussions servent la transe-formation.
La liberté est aussi dangereuse qu’exaltante, mais parce qu’elle est essentielle, on reste, on se familiarise, on agit, on décide et on s’explore.
Il reste, comme lors des rêves, des souvenirs. Puis les choses s’apaisent, mais la réflexion reste. Et puis on finit par comprendre que tout est déjà là, tout est possible, il suffit de reprendre le pouvoir.
Chacun peut poser les mots qu’il souhaite : voyage ou transe onirique, aventure fantastique ou chamanique, pour moi c’est simplement un appel à la conscience.
” The Valley “
A psychomagic experience
In this initiatic travel, the line between what’s real and what’s imaginary isn’t well defined. Is it a dream? Not really.
It’s another reality poping out from a down to earth experience, in order to achieve a transformation.
We begin by the psycho-magical action, we talk to the unconscient.
The more difficult the action will be, the stronger the benefit will be.
A perilous point is reached, we meet our own demons and they turn out to be our allies. Then the dance starts, the drums are the tools of the trance-formation.
The feeling of total freedom is as exciting as it is dangerous, but, as it’s an essential part of the process, we stay and get used to it.
Some memories will remain, like after a dream, then the effects will decrease, but the brainstorming stays.
Finally, we end up acknowledging that everything has always been here, that everything is already possible, we just need to take our power back.
Everyone can define it with his own words : trip or dreamy trance, fantastic or shamanistic adventure. As far as i’m concerned it’s a call to consciousness.
Nathalie Garcia is a French electronic musician and sound designer, based in Belgium.
Her conceptions of sound and music are versatile enough to work in a wide range of application such as film making, theater, sound art, post production and live performance.
After several years at the forefront of the Industrial Rock scene of Bordeaux within the sulfuric and avant-gardist band “Black Hole” which she joined at the age of 18, she courted the electro scene. She became a DJ, composer and promoter of events.
Then she went on to perform her own live electronic music where the efficiency of her mighty breakbeats combined with rich harmonic tones were worked clearly with electroacoustic and electronica values.
In the meantime, she creates the new project “White Drama”, which integrates an abstract hip hop touch and a vocal work, to serve us a unique tapestry of sound in a strange language.
As Nathalie was receiving the 1st price of acousmatic composition at the Conservatoire Musical de Bordeaux, Baby Kruger recorded the album “Selkie” for the Miami-based Schematic Records, which was founded by Josh Kay of Phoenecia and released the EP “SIIS” on the german label Doumen Records. She is actually working her magic on different fronts like radiophonic projects and has just ended the first part of a serie of hybrid documentaries on the animistic practices.
She also organizes spatialization concerts and lectures with her Brussels-based collective “Maldita”.
DIE ZWEITE HÄLFTE
radia show #270 - radio orange - two languages
31 MAGGIO - 06 GIUGNO 2010
Two fantastic acoustic tidbits from Austria for a poetic multilanguage radia-show.
Fremde Dezibel by maiz/iftaf/trafo.k (2009)
The radioplay "Fremde Dezibel" is based on interviews with migrant women in Linz, the capital of the province Upper Austria and its surroundings. It deals with the interrelations between language, violence, social exclusion and sexism.
The interviews focus on the experiences of the women with the German language and on ways of approaching the language of a majority as member of a minority.
Originally the soundcollage was produced as an audio installation at a project of maiz (festival der regionen 2000). For the project "RebellInnen!" of trafo.K the audiomaterial was remixed and rearranged by Ernst Reitermaier (iftaf), Rubia Salgado (maiz) and Marty Huber (dramatic adviser of the project "RebellInnen") in 2009.
Stille Post by Alfred Grubbauer, Christine Schörkhuber (2008)
According to the principle of 'Chinese Whispers', we initiated a game with language. A text makes three journeys through different languages and is finally translated back into German. What happened to the words throughout the journey, how is a text transformed? Each player added their own imprint to the words and consequently changed their original meaning. There is no 'wrong' translation. The course of the text permits a closer look at the possibility of multiple interpretation- and gives us a chance to consciously examinate what it feels like to not-comprehend. The focus is directed towards the heterogenity of a regional population. 'Stille Post' is an art project for the public domain; it makes its appearance both visually and acoustically. It is presented in the form of an image/sound object, which is on exhibition throughout different cities of the Mostviertel with a duration of 2-4 weeks each. It's all about listening, about the silent tones and everything that happens in between the lines.